I heard the ER doc say Venus anomaly and I thought how pretty the words sounded and how accurate as we were in a Venus moon that would soon give rise to my own Cancer water season. What he actually said was venous anomaly, a raised cluster of veins in my brain that were not there since my last MRI, which was most likely causing tonic clonic seizures. As a current student of neurocounseling, an emerging field that connects the brain to behavior, the biological to the social, I was amazed to see cross-sections of my own brain on the lighted x-ray, a beautiful back-lit peep-show horror.
Gabor Mate, the world renowned Hungarian physician, talks about the biopsychosocial inverse effects of trauma and grief on the body, how unprocessed anger or loss can manifest as illness and I wondered which horror rested in the right hemisphere of my lower occipital lobe: child loss, family loss, the unspeakable agony of ache, the rage of injustice, the fire hot tongs of betrayal? I fingered my long hair and wondered, as all people learning about the nested cocoon of their own bodies must, if I had caused this. There is not a question in my mind as to if I fought hard enough in custody court and invariably against my own family as they sided with my cruel, jealous, mean-spirited ex-husband, but did I fight too hard against forces over which I had very little control?
Did I set myself on fire?
In her text Bearing the Unbearable, Dr. Joanne Cacciatore, a Zen priest and PhD lecturer on traumatic loss notes, “Grief occupies the space between people”. I looked at the bright mass on my brain scan and wondered what occupied that particular inflamed space. Was it the crocodiles of my nightmares? The Jungian archetype of the ancient monster that represents the deepest, darkest subconscious? I am constantly caught in a river running through the middle of a washed out town in my dreams and crocodiles rise and disappear as I struggle to keep my head above water.
No dream analyst is required for that interpretation, it is what it is: I drown.
Over and over again, every night when I slip beneath consciousness into the dark waters of my own monstrous grief.
I have not held my child in five years, why do I wake and pace with aching breasts? She has not breastfed in nine years. This mother ache is monstrous. I miscarried a baby several years ago and some nights I tremble for him as well, though I never speak of it. I keep him buried within me, my tiny secret Sky baby.
Sometimes I am the monster.
My rage goes out before me like a search-light. I am the townspeople at the door.
I have a right to be angry, I know, anyone would be. But the rage will overtake you.
It’s Mary Shelley’s monster of her own creation, men having the audacity to meddle in the affairs of women. Men profiting off of women’s labor in every way. My daughter not in my arms. My monster of an ex-husband, my monster of a mother, my monster of an ex-lover, the monster that is myself. I tinker with it, I electrify it in the night, in a castle on a hill backlit by lightning and from the fog, that same crocodilian death roll rockets and I’m under.
Judith Herman writes, “The ordinary response to atrocities is to banish them from consciousness. Certain violations….are too terrible to utter aloud: this is the meaning of the word unspeakable. Atrocities, however, refuse to be buried.”
And so I thrash in my sleep, I pace back and forth to escape the monsters or to become one, I don’t know. My breasts ache, my arms ache, my belly feels so empty. Why should it feel full? My living child is ten years old, my ex-husband took her from me six years ago when she was four in the most outlandish of custody cases in one of the most backwoods courthouses in the deepest of the Deep South where they hate women and minorities and where white men prosper by default.
The cruelty of mother ache knows not time, though.
My breasts apparently don’t know it is 2023, not 2012. My fury disintegrates into soft sobs. My partner, sleepy and shirtless, finds me, holds my head above the waves as I gasp for breath. Sometimes I shove him away, sometimes I fall into him. It depends on how rough the undertow is.
I won’t hold his hand as the neurologist talks to me about brain surgery, how they don’t cut, they go in through an artery now in the groin.
The groin, so near the birth canal.
I’m not listening.
I don’t hold his hand because I am not Shelley’s monster right now; right now I am her castle on the gothic hill within which both the creator and the horror reside.
I am alone, pulled into myself, the only way I am ever able to withstand the winds.
I’m thankful he is listening to the doctor because I’m still staring at the light and dark of my sagittal axial brain slice. And what is that bright thing rising from the dark of my brain scan? The monster, the physical manifestation of my grief terror horror sadness desperation.
When I fell out at work (yay for the loss of dignity there, it’s hard to ask for a raise once you’ve drooled, snotted, and pissed yourself in a horrifying scene you have no memory of), I can see a soft yellow haze around things.
I wrote a poem with fridge letter magnets awhile back that said, “Still streams the sun atop the horizon like honey….” and I thought of that while sliding from my desk chair seizing. While coming back to with the sound of a train in my ears, vision blurred, I see what my little girl had spelled out with her own fridge magnet letters below mine, “On you there are daughters.”
I’m wet and cold, my hands are numb, I’m covered in daughters, my own, myself, my mother. I want to go home, but I don’t know where that is anymore.
Instead I go to the emergency room for nine hours. My partner pushes through the employee only entrance, sees me slumped over in a wheelchair, just fucking tired, and is blocked by hospital staff. Hey babe lol. I have not always chosen the best men in the past, see above ex-husband for reference, but he’s a good one. He doesn’t give a single shit about employees only and that makes me laugh, if silently, within myself, a ripple in a river running.
The rest will unfold slowly, in a haze, a dream, a tight-burning fire until I seize under the pressure, a house of cards imploding in slow motion. In the center is my daughter in a white dress, the sacredness we shared when she lived within me, the horror of being cut open and giving her over to a man unworthy of trust or honor, the horror of giving her over to the world.
In the meantime, I study. Another master’s degree, a doctoral dissertation on the biopsychosocial model and how it relates to the physical manifestation of trauma in the body, a book publication and then another, some meaningless letters behind a name that will fade like all do into the etched stones of time. Grief is the space between people is the space between fire and fog, loss and life that is relentless, that comes like waves.
There are no answers, just a chapel on a hill and moat of crocodiles, ever circling.